NORTHERN ONTARIO ART ASSOCIATION
Gallery II
décembre 07, 2002 - décembre 29, 2002
Opening Reception, December 12, 7 pm
Gallery II
décembre 07, 2002 - décembre 29, 2002
Opening Reception, December 12, 7 pm
Jana Sterbak: Photopractice
Opening Reception: Thursday 17 October beginning at 7pm
octobre 17, 2002 - février 28, 2003
Organized by Bill Huffman
Illustrated exhibition catalogue includes an essay by Diana Nemiroff
Opening Reception: Thursday 17 October beginning at 7pm
octobre 17, 2002 - février 28, 2003
Organized by Bill Huffman
Illustrated exhibition catalogue includes an essay by Diana Nemiroff
Going Solo
Opening Reception: Friday 6 September beginning at 7pm
septembre 06, 2002 - octobre 06, 2002
An exhibition of monotypes by Jill Boschulte
Opening Reception: Friday 6 September beginning at 7pm
septembre 06, 2002 - octobre 06, 2002
An exhibition of monotypes by Jill Boschulte
Marcus Schwier
Opening Reception: Friday 6 September beginning at 7pm
septembre 06, 2002 - octobre 06, 2002
An illustrated catalogue includes an essay by David Galloway
Opening Reception: Friday 6 September beginning at 7pm
septembre 06, 2002 - octobre 06, 2002
An illustrated catalogue includes an essay by David Galloway
The Lab
août 03, 2002 - août 17, 2002
This new initiative is designed to provide a focussed examination of eight important works from the gallery's permanent collection.
août 03, 2002 - août 17, 2002
This new initiative is designed to provide a focussed examination of eight important works from the gallery's permanent collection.
Depth Perceptions: The Sculptural Work of Charles Paxy
Curated by Bill Huffman
juin 27, 2002 - septembre 01, 2002
An illustrated catalogue includes essays by Bill Huffman and Janna Ramsay Best
Curated by Bill Huffman
juin 27, 2002 - septembre 01, 2002
An illustrated catalogue includes essays by Bill Huffman and Janna Ramsay Best
Bell Rock an exhibition by Vera Greenwood
avril 04, 2002 - juin 16, 2002
Bell Rock is an installation project that addresses the history of the old lumber baron's mansion currently housing the Art Gallery of Sudbury. This exhibition will present, in a museological fashion, the story of the house, from its construction in 1907, to its current use as a public art gallery. From the many interviews conducted during the artist’s three research trips to Sudbury, she has come to believe that the house itself is haunted. This will play a major role in the show, being part of the chronological information presented, as well as a video component of the work.
avril 04, 2002 - juin 16, 2002
Bell Rock is an installation project that addresses the history of the old lumber baron's mansion currently housing the Art Gallery of Sudbury. This exhibition will present, in a museological fashion, the story of the house, from its construction in 1907, to its current use as a public art gallery. From the many interviews conducted during the artist’s three research trips to Sudbury, she has come to believe that the house itself is haunted. This will play a major role in the show, being part of the chronological information presented, as well as a video component of the work.
Paul Walde: Mixed Translations
Opening Reception: Thursday 24 March at 7pm
février 28, 2002 - mars 24, 2002
Using wood as a cultural metaphor for nature, Paul Walde derives inspiration from found wood damaged by animals, insects and weather. This discovery is evidence of non-human interaction with the environment and indicates that humans are not the only creatures to alter a surrounding to suit. Part of a larger entropic purpose, Walde imagines these markers of change not only as evidence but also as artifacts of nature's own culture. He situates the presentation and representation of this cultural evidence in relation to human signifiers. Paint, in the role as western historical signifier, dashes across some of these works much in the same way that roads, pipelines and settlements stretch out across the Canadian landscape. These elements map and often overwhelm the subject, while other times leaving it in contrast with the savagery and unthinking, uncompassionate beauty that is nature.
Opening Reception: Thursday 24 March at 7pm
février 28, 2002 - mars 24, 2002
Using wood as a cultural metaphor for nature, Paul Walde derives inspiration from found wood damaged by animals, insects and weather. This discovery is evidence of non-human interaction with the environment and indicates that humans are not the only creatures to alter a surrounding to suit. Part of a larger entropic purpose, Walde imagines these markers of change not only as evidence but also as artifacts of nature's own culture. He situates the presentation and representation of this cultural evidence in relation to human signifiers. Paint, in the role as western historical signifier, dashes across some of these works much in the same way that roads, pipelines and settlements stretch out across the Canadian landscape. These elements map and often overwhelm the subject, while other times leaving it in contrast with the savagery and unthinking, uncompassionate beauty that is nature.
